How to make photo frame from trolls movie#

I went to Germany to do some press, and they were like, РІР‚СљYeah, real nice. I have Swiss family, so I was glad to see yodeling in there. We tried other stuff: mariachis and barbershop quartets, which apparently didnРІР‚в„ўt need representation in the world, even though it was a very funny sequence!

How to make photo frame from trolls movie#

ItРІР‚в„ўs an 82-mintue movie - thereРІР‚в„ўs only so much representation we could have in the film! We worked with a musicologist, who said that these six genres are represented around the world in some form.Р”В«ut in the end, we said, РІР‚СљLetРІР‚в„ўs get as much diversity and representation as we can.РІР‚Сњ So we started : reggaeton, K-pop, yodeling. It was hard to distill it down to these six main genres. Was it clear from the outset which genres youРІР‚в„ўd incorporate into the narrative? The character becomes an amalgamation of all the influences.

Queen Barb took a lot of inspiration from Wendy O. We were inspired by Ozzy and many rockers, but we were very careful: we hadnРІР‚в„ўt cast him yet - it was a dream come true - but we wanted to make sure that it wasnРІР‚в„ўt part of our visual signature to caricature people.Р”В«ut again, weРІР‚в„ўre very inspired by real-life people. When we were designing, for example, King Thrash, whoРІР‚в„ўs played by Ozzy Osbourne, we were working with the character designer Tim Lamb. At what point were the voices cast, and to what extent did they shape the visual development?Р”Р„ll departments are very organic processes. Some of the character designs are riffing on the public image of the music star voicing them - the Ozzy Osbourne troll made me laugh the most. But we wanted to make sure we werenРІР‚в„ўt appropriating that imagery. We were so inspired by the album cover artwork from the 1970s: Parliament and Funkadelic. It was the last world to be designed because we went through many iterations, with a lot of consultations with sociologists from UCLA.Р”Р„nd also with George Clinton himself, who was a visual consultant on the film, as well as being a voice and helping with the music. Designing the funk world was the most complex, in many ways, from a social responsibility point of viewР’В - to appropriate imagery or caricature it. Were some genres harder to make funny than others?Р”Р„bsolutely. But again: trying to strike that careful balance where we also wanted to be authentic to the genre and not caricature it. My first storyboarding job was on Spongebob - I learned on that show, РІР‚СљWhen can we do a joke?РІР‚Сњ I co-directed this movie with Dave Smith he and I went to Calarts, and we were raised in this system together, always looking for the humor. How did you strike that balance? Walt DohrnР”Вohrn: ItРІР‚в„ўs a careful balance, because we donРІР‚в„ўt want to mock, but at the same time we want to mine it for humor. YouРІР‚в„ўre paying homage, but also riffing on the stereotypes about that genre. In Trolls World Tour, youРІР‚в„ўre mining each music genre for humor. Below, he tells me more about what it takes to make an audience laugh. Speaking to Cartoon Brew, he starts by joking that his latest movie is РІР‚Сљscientifically engineeredРІР‚Сњ to make viewers feel good.

Dohrn is a director, writer, and story artist with a strong track record in comedy - his rР“В©sumР“В© includes the Shrek series, DexterРІР‚в„ўs Laboratory, and Spongebob Squarepants. Here we sense the influence of Walt Dohrn, its director (and the co-director of the original film). In general, Trolls World Tour is shot through with a zany, absurdist humor that it shares with its predecessor. The film gently subverts the starsРІР‚в„ў real-life personas and each genreРІР‚в„ўs public image, generating laughs along the way. The premise is simple: the pop-loving tribe familiar from 2016РІР‚в„ўs Trolls learn that they are only one nation of trolls among six, each of which is organized around a different genre of music.Р”В¬ue an eye-popping journey through the various troll kingdoms - funk, classical, techno, country, rock - and a dizzying roll call of cameos by music legends: Kelly Clarkson, Anderson Paak, and Ozzy Osbourne, to name only three. The arrival of Dreamworks AnimationРІР‚в„ўs sequel in the midst of this crisis is ironic (or maybe very appropriate), as this is a film that celebrates community like few others. This day-and-date theatrical and digital release is a first for a Hollywood film. Rather than delay the film, Universal Pictures has opted to release it directly to streaming in territories where cinemas remain shuttered (i.e. Trolls World Tour hits screens today, but not as originally planned.